Showing posts with label California. Show all posts
Showing posts with label California. Show all posts

Wednesday, May 14, 2014

The New California Rosé


As the weather gets warm I start seeing things through Rosé-tinted bottles.

Apparently, I'm not alone. People are drinking more Rosés and every year the selection grows. But I'm picky. I just don't want Rosé made as an afterthought, usually from left-over grapes or left-over juice to generate extra revenues for the winery. No. I want Rosé from fruit intended for Rosé, and I want Rosé made by people who know how to make them.

After a careful search this spring, three California Rosé producers made my cut so far: LIOCO, Bedrock, and Arnot-Roberts.

In Mendocino's Redwood Valley LIOCO buy in grapes grown in benchland vineyards planted with head-pruned old vines that are dry-farmed (meaning no irrigation). The result is this juicy, flavorful Rosé called "Indica". It is made from "old-vine" Carignan planted "mid-century" according to LIOCO. The fruit was hand-harvested, sorted and then fermented in stainless steel tanks with wild yeasts. LIOCO's winemaker, John Raytek of Ceritas fame, proves that he knows how to craft real Rosé as well. The alcohol tops out at 12% and the price is just $19.

To avid fans of California wines made from old vines, Bedrock doesn't need any introduction. Morgan Twain-Peterson is one of the hottest young winemakers in California today specializing in California's heritage vineyards. The 2013 Bedrock California Rosé "Old Vine Ode to Lulu" is the latest example of Morgan's brilliant work. The blend consists almost entirely of Mourvedre--two-thirds from the 120 year-old Mourvedre vines in Bedrock Vineyard and one-fourth from Mourvedre planted in the Pagani Ranch in 1922. There is a tiny dollop of Grenache planted in the Gibson Ranch in McDowell Valley in the 1880s and Carignane from Ukiah planted in the 1950s. In other words, this Rosé is a treasure trove of priceless old vines in California. Alcohol is 12.3% and the price is just $20!

Arnot-Roberts works closely with a select group of small growers in Northern California farming vineyards in sites ideal for the grape varieties they grow. The grapes are grown and harvested to their preference, usually harvesting early for good acid balance and modest alcohol. Their 2013 Rosé, with fruit as usual sourced from Luchsinger Vineyard in Lake County, is made with Portuguese Douro grapes, mainly Touriga Nacional and a bit of Tinto Cao. These vines are planted in volcanic soils over ancient riverbed stones at 1,400 feet elevation in the Clear Lake AVA west of Kelseyville, California. Whole cluster grapes were foot treaded and the juice was macerated with skins for 24 hours then pressed into stainless steel tanks where it fermented in native yeasts. Alcohol is 11.5% and the price is a modest $26.

These three vibrant, manifold-flavored Rosés are as thirst-quenching and full of depth and flavor as any top European Rosé I've had, and are priced very reasonably.  But make sure you stock up on these California Rosés immediately as production and availability are very limited.


Mendocino County Rosé Wine "Indica", LIOCO 2013 $19.00 (order)


California Rosé "Old Vine Ode to Lulu", Bedrock Wine Co. 2013 $20.00 (order)


Clear Lake Rosé Touriga Nacional "Luchsinger Vineyard", Arnot-Roberts 2013 $26.00 (order)

Thursday, October 31, 2013

The Taste of 132 Year-Old California Vines


At the confluence of the Sacramento and San Joaquin Rivers in San Francisco Bay's Carquinez Strait, ancient vines have witnessed California history for the past 132 years. Today, the Evangelho Vineyard, where these centenarian vines are planted, is unfazed by progress. Its vines stand defiantly surrounded by a PG&E plant, a Burger King, and a seedy motel. They don't make vines like these anymore.

The vineyard consists mainly of Mourvedre and Carignan vines, but there is also Zinfandel, Palomino, Alicante, and Mission. These gnarly vines are still planted on their own roots, scoffing at the phlloxera epidemic that plagued not just California but all of Europe. Because the vineyard is dry-farmed (not irrigated), the vines fetch their own water deep underground using their well-established roots. They're happy to grow as bush vines without trellis support, flaunting the zigzag curves of their massive trunks.

Bedrock Wine Co., a Sonoma Valley winery founded and run by the young Morgan Twain-Peterson in 2007, is one of the brightest stars among the new generation of California wine producers. The winery focuses on producing wines from Northern California's heritage vineyards-vineyards that were established in the 19th century and early 20th century whose vines survive to this day.

Bedrock Wine's 2012 Evangelho Vineyard Heritage red is beautifully crafted, deeply flavored, and expressive of the awesome fruit source for this wine.


Contra Costa County Red "Evangelho Vineyard", Bedrock Wine Co. 2012 $31.00

Tuesday, November 20, 2012

More California Wines for Thanksgiving

Long overlooked grape varieties planted in California before Prohibition have surprisingly become fashionable again. Prior to Zinfandel becoming the iconic grape of California, other grape varieties, particularly Grenache, Mourvedre, and Carignane, were also extensively planted in California vineyards.


During the past few years a growing number of new producers, most of them young winemakers, have shunned mainstream varietal wines like Cabernet Sauvignon, Pinot Noir, Merlot, and, yes, even Zinfandel, and, instead, have championed Grenache, Mourvedre, and Carignane. They are inspired by what they see as underrated heritage varieties that have thrived in California vineyards for over a century.


Yet, a vision has also taken hold of this new generation of young California producers influenced by the natural winemaking trends sweeping Europe. They believe they are pursuing an enlightened approach to California viticulture by focusing on grape varieties like Grenache, Mourvedre, and Carignane that are native to the Mediterranean region, hence more suitable to California vineyards than the cool-climate Cabernet, Pinot Noir, and Merlot, which often require a lot of manipulation in the vineyard and winery. In fact, after a sip of the delicious wines they make it would be difficult to disagree.


The wines from La Clarine Farm in the Sierra Foothills, Los Pilares in San Diego County, Folk Machine in Mendocino, and A Tribute to Grace in Santa Barbara are all produced in small lots from carefully chosen vineyards that are naturally farmed. They are honestly crafted, without tricks, as the aim is to deliver a product as pure as the fruit that they are made from.


San Diego County Grenache-Carignane, Los Pilares 2011 $23.00
A stunning second vintage of this 50% Grenache and 50% Carignane cuvee from fruit grown in meticulously farmed vineyards in the backcountry of San Diego County just east of Escondido. The area is ideal for growing these varieties, as it has the scrublands and Mediterranean climate that allow these grapes to produce intense, flavorful wines. 2011 produced delicate and fresh Grenache fruit that benefited from the earthy depth of the super Carignane. Made as naturally as possible with little manipulation. The fruit was hand sorted. Vinification was whole-berry, native yeast fermentation. No additives were applied nor inoculation for malolactic, just grapes. Aging was in tank, no wood. Bottled unfined and unfiltered. More elegant, higher acidity, and more polished than the previous 2010 vintage. Intense flavors that are bright and layered with delicious complexity. 13% alcohol. A revelation for San Diego County wine! Very limited availability. Just 120 cases produced

Sierra Foothills Mourvedre Sumu Kaw Vineyard, La Clarine Farms 2011 $24.00
The Sumu Kaw Vineyard is source of what I regard as La Clarine Farm's greatest red, the Sumu Kaw Syrah. The Mourvedre grown there has been used for blending with this superb Syrah, giving it structure and lift. Situated at an elevaton of 2,900 feet on a ridgetop overlooking Pleasant Valley, the vineyard is surrounded by tall pines that seem to lend some of its resiny, tarry flavors to the fruit. This is precise Mourvedre that recalls more the Provencal style. Only 81 cases produced. Enclosed in screwcap.

"This mourvedre, at 12.4% alcohol, was actually one of the first reds we picked in 2011.  The crop level was way down (which may have contributed to the increased flavor concentration) and the grapes seemed ready surprisingly early for mourvedre, a notoriously late ripening variety. It shows all the classic markers of the grape (earthiness, some leathery/dried leafy tones) in a forward, (all too) easy drinking package.  It is a wonderful introduction to the style of the vintage. It is delicious!" Hank Beckmeyer, La Clarine Farm

Sierra Foothills Mourvedre Cedarville, La Clarine Farms 2011 $24.00
From a single-vineyard up in the Sierra Foothills, farmed organically by Jonathan Lachs and Susan Marks. The fruit ripens fully and beautifully on this site, producing a wine that is readily appreciated from release. Gorgeous concentration and balance, with irresistible, seductive fruit. Scented by the Sierra Foothills garrigue. Tiny production of just 51. Enclosed in screwcap.

"It became immediately apparent that this wine was going to be something special. The aromas from the fermenters was incredible, and the wine from the press on November 8 (at dryness) was already quite drinkable. Malolactic fermentation bubbled along all winter long. By Spring of 2012, we had one of the most unusual mourvedre wines I've ever tasted. Lighter in color than most years, lower in alcohol (11.7%), but big in flavor, it's a wine you could very easily drink a lot of, if there were a lot. I jokingly started calling it my version of Beaujolais, and it does have a lot of similarities to a good cru Beaujolais, but with sort of a 'mutant beaujolais' feel to it." Hank Beckmeyer, La Clarine Farm

Mendocino Red "Three Ceremonies", Folk Machine 2011 $18.00
A unique blend of Carignan, Syrah, and Petit Sirah--a California pop version of the GSM Rhone blend. Superluscious without being overdone. Well balanced 13.2% alcohol. Layers of juicy red fruits and earthy spices. Just 125 cases produced. Helps bring luck for this year and next!

Santa Barbara Grenache Santa Barbara Highlands Vineyard, A Tribute to Grace Wine Company 2010 $41.00
One of the best California wines you would ever come across, this is very charming for its light but intense strawberry-filled flavors layered with sweet spices and herbs. 100% Grenache grown in the desolate Sierra Madre Mountains at 3,200 feet elevation. The soils are sandy and rocky and together with the cool climate produce a wine with bright, intense flavors. Brilliant proprietor and winemaker Angela Osborne vinified half the fruit in whole clusters, foot treading the grapes twice a day. The other half of the fruit was destemmed and given a light pigeage. The wine was aged over 16 months in one third new barrel and two-thirds neutral barrel. Just 141 cases produced.

Wednesday, May 2, 2012

April Recap... plus the usual drivel

I thought I'd take time to shamelessly promote what our modest little wine shop has forced upon you during this past month of April. Hard to believe that a full third of the year is already history.

Here are but a handful of items worthy of note:
  • A quick trip to Jura and Burgundy confirmed as always the greatness of producers we love. In Burgundy that would be Michel Lafarge, Frederic Mugnier, Ghislaine Barthod, Jean-Marie Fourrier, Christophe Perrot-Minot, Leroy, Thierry Matrot, Nicolas Rossignol, and really much more.
  • But then for ardent Burgundy fans you really don't need me to tell you these venerable names. Our claim to fame is knowing equally brilliant producers that are unheralded, yet whose wines are worthy rivals to the best of them. And so last month I've brought to your attention Denis Jeandeau, Chateau de Beru, Meix Foulot, Pierre Gelin, Montchovet, Francois Feuillet/David Duband, Marc Roy, Lou Dumont, Harmand-Geoffory. From one long-time Burgundy nut to another, if you fancy yourself a true Burgundy fan, you would at least try these wines and see for yourself why I'm so bullish and why you don't have to always spend a gazillion bucks for great Burgundy.
  • In Jura, I continue to scour this strange but beautiful frontier, which I liken to  Middle Earth, for some of the most wonderful wine discoveries of this century. Why this ancient winegrowing region has escaped many of us is puzzling. One thing to know about the Jura is that it has one of the most powerful terroirs known to man. Yes. The wines are intense and complex, though seemingly light and modest in alcohol. Nearly all wines are capable of aging for decades, even centuries. Why just the other day Decanter announced a 240 year-old Vin Jaune up for auction! We stock the greatest producers in Jura like Jacques Puffeney, Michel Gahier, Domaine Montbourgeau, Philippe Bornard, and Domaine de la Tournelle. And we are the only wine store in the West Coast to sell Domaine de l'Octavin and Jean-Marc Brignot!
  • From our California backyard we offered some of our greatest finds recently. For example, we recently offered the debut vintage of Los Pilares from San Diego County (yes, that San Diego) and it sold out within a day or two, and it's not even a Cab or Pinot! Other terrific California producers we touted include: Donkey and Goat, A Tribute to Grace, Anglim, La Clarine Farm, Peay/Cep, Qupe, and Grant Eddie.
  • Grenache, Syrah, Carignan, and Mourvedre grow terrific in California's more Mediterranean terroirs and so I've been in hot pursuit of California wines other than Cabs or Pinots. Even the San Francisco Chronicle acknowledged our enthusiasm by inviting me to return to their tasting panel for its all-important Grenache report last February.
  • Of course, we can't resist bringing awesome Cabs and Pinots, particularly those from small producers making balanced wines at reasonable prices. Some of our favorites offered in the last month or so include Corison, Leviathan, Fisticuffs, Banshee, Dominus Napanook, and Georg Rafael--elusive California wines to find.
  • If you're in the neighborhood then our weekend tastings are for you. We always pour our new wine discoveries. Keep on discovering new tastes and flavors, that's the best thing about wine.
  • To this end we always love to host wine dinners. Last month we held a wine dinner at a local eatery featuring the fantastic wines of the Northern Rhone. An event that sold out in just two days! We poured 8 different wines from the region's best producers like J.L. Chave, Yves Cuilleron, Georges Vernay, Emmanuel Darnaud, Pierre Gonon, Franck Balthazar, and Stephane Ogier.
  • I'm delighted to report there's a lot to look forward to again this month. We've already received a ton of new wines and I can't wait to offer them to you! Plus, of course pre-arrivals of gems that are coming soon.
It may take a little while for me to write up about these exciting new wines but you'll know about them in the coming days. Vineyard Gate is not run by an army of staff, it's strictly a two-person outfit, Amy--my wife--and I.

Almost everyday we meet with local producers, distributors, and importers to taste, discover, and discuss about new wines. And we somehow find the time to parachute down Europe's vineyards once or twice a year. I feel that the only way to be honest and sincere about wines we recommend to you is to know them first-hand.

Thank you all for your continuing support. My only request is for you to help us spread the good news about Vineyard Gate! Please tell your fellow wine friends about us.

Monday, November 15, 2010

Fine Dining at Commis

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Commis is a fine dining place that makes do with less. In that sense it is quite au courant. Foodies may be in a frugal state of mind these days but some still look for a fine dining experience occasionally, though not at French Laundryesque prices. Commis provides the answer.

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The $115 nine-course tasting menu I had at Commis delivered the kind of eats that felt almost double that price. How is this possible? The restaurant has a Zen-like economy and simplicity. And most of all Chef James Syhabout’s skill and imagination transform modest ingredients into sublime dishes.

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Mr. Syhabout (see-ha-boot) serves up his refined, conceptual cuisine in a spare, gallery-like space. Everything is casual and relaxed. The restaurant's bare walls and plain black-and-white décor—broken only by the blonde wood table-tops and counter—create a contemplative atmosphere that is conducive to the compositions that the kitchen presents.



Each of the dishes is a delicious sketch of a scene. The halibut tartare floats below kelp and sea plant-like flowering coriander. A salad of green tomatoes is a verdant vista with twin upright basil leaves standing like trees in the middle of a garden. The watercress soup appears like a tide pool hemmed by the rocky edges of shaved shiso ice complete with a growth of colorful nasturtiums and sorrel.

My senses are totally engaged by the dishes, and my mind is as well. The experience is like gastronomic meditation.

Mr. Syhabout runs a neat, efficient kitchen. Aside from just two cooks, a pastry chef works alongside him. They operate together harmoniously without fuss and in silence.



Not knowing what menu to expect, I was fortunate that the two wines I brought matched the food marvelously. Both bottles were 1969s kept since release in cold storage. One was a Burgundy, a 1969 Domaine Coron Beaune Clos du Roi 1er Cru. It drank fresh and clear, filled with red fruits and subtle spices, still dense and powerful. But the other bottle qualifies as one of the most amazing wines I've ever drank, a 1969 Beaulieu Vineyard Napa Valley Cabernet Sauvignon "Georges de Latour Private Reserve". It had stunning finesse and complexity, and a most surprising delicacy. It was hard to believe this was a Napa Cabernet Sauvignon, much less from forty years ago. Its persistence and length was very satisfying. Wine is indeed full of surprises.




Commis Restaurant
3859 Piedmont Avenue
Oakland, CA 94611
510.653.8902

Monday, February 8, 2010

New Year's Dinner with Ben and Mayon

The New Year began with a semi-potluck dinner organized by friends, Ben and Mayon, at their home. In the spirit of sharing they handed me a somewhat idiot-proof recipe to follow, a cheese quiche, that I still managed to screw up. To my relief, it was edible and it didn't bother an immortal magnum of Clos de Tart it was paired with. More on this later.



The occasion was ostensibly a chivalrous tribute to the dames in the group. To toast the event, Ben found a few old magnums to uncork from his wine cellar. Given such overwhelming generosity I was relieved the menfolk present didn't break out into a ship's mates shanty of "There's Nothing Like a Dame". So happily the occasion turned out to be some enchanted evening.

I brought the warm-up bubbly--chilled bottles of the 1998 Gaston Chiquet Brut Special Club. This prestige cuvée from one of the best grower-producers in Champagne is drinking exceptionally well now. Happily everyone concurred. Endowed with a rich, full body and luscious flavors, rather on the elegant side, it had pleasing finesse and a heartwarming freshness. Not a bad intro, but what followed next was really the centerpiece wine of the night.

Ben and Mayon have kept magnums of the 1961 Bollinger R.D. since they were disgorged in 1983. Vinified during Madame Elizabeth (Lily) Bollinger's time and disgorged nearly a quarter of a century later during the helm of her nephew, Christian Bizot, these extremely rare magnums have been stored impeccably at a rather chilly constant 49 degrees F and never moved.



This Champagne was pristine and unbelievably fresh given its half-century existence. Bubbles rushed up as I poured the pale liquid into my glass. The magnum may as well have been disgorged on the spot that very night as it was so youthful. This is not a weighty, mouthfilling, blockbuster as the extended lees aging might suggest, but a young dancer. Trim, sinewy, graceful, and certainly multifaceted. Though it was just the first magnum of the night, the awesome R.D. rendered much of everything else at the dinner table anti-climactic.

Yet, onwards to the magnum of 1970 Château Lafite-Rothschild. After multiple decantings this first-growth still started out lazily. The nose was intense, with that Lafite perfume of graphite, violets, and tea leaf, and the flavors were luscious and bright. But the wine felt distinctly short. Meanwhile, I picked clean the ribs of the fattened lamb, which were pan-grilled to perfection. A joyous pairing with the reticent claret.



Three lamb ribs later, the '70 Lafite started to put on a magnificient show--the finish lengthened and sweetened. It was unspeakably elegant. Mayon declared it perfect, and I can't disagree.

For an intermezzo, the 1970 Château Cheval Blanc from Kevin's cellar was piney and full of tea leaf aromas. A big, rich, ripe right-bank first-growth evincing pure fruit flavors. It was backed up by good acidity and strengthened by rich tannins. There is no letup in intensity on the finish. What an impeccable wine! If I can bottle it up again, it would age forever.

My somewhat sweet, savory cheese quiche was easily devoured by the biggest, baddest red Burgundy that ever lived. I swear, I've never had red Burgundy as powerful as this magnum of 1961 Clos de Tart. It flaunts almost SLH-like opulence, unbelievable for a Burgundy, especially a 50 year-old one; yet its freshness of fruit would embarrass a five-year-old Pisoni. Wow! Overripe and almost jammy flavors, yet clean and harmonious and exhibiting a raffish charm. We debated whether this magnum has already reached peak drinking. I doubt it.

A most decadent, syrupy dessert wine was the 1973 Freemark Abbey Napa Valley Sweet Johannisberg Riesling "Edelwein". Freemark Abbey bottles this wine to this day from late-harvest, botrytised Riesling grown in the Carneros. I feel that the acidity has melted away on this wine and I got poached citrus and orange marmalade flavors with a sweetness that was just numbing for me. I was really glad for the tangy Poached Blood Orange dessert that freshened my palate.




With a glorious old Port--a 1963 Cockburn's--and a tasty robusto in hand, I stepped outside into the cold air. My gratitude to Ben and Mayon for such an auspicious start for the New Year. If there is one lesson I learned this evening, it's that magnums are too big to fail.

Wednesday, October 21, 2009

Who's Buying California Wines?


It was bound to happen. Since the 1990s, California wine producers have been without any great inspirational winemaker or visionary as it did in the 1960s, 1970s, and 1980s, with pioneers and leaders like Andre Tchelitscheff, John Daniel, Fred McCrea, Joe Heitz, Robert Mondavi, Warren Winiarski, Burt Williams, Paul Draper, and Randall Grahm.

Instead, since the 1990s, California wine producers take their cues from wine critic scores, eager to pander to unsophisticated palates who are easily swayed by such scores.

Today, with a more experienced and independent-minded wine drinking public, empowered by the Internet ("We're All Wine Critics Now"), California wines are losing favor in the market. High alcohol, overripeness, and lack of interesting flavors make many California wines hard to enjoy with food, especially with the pure, ingredient-driven dishes we love to eat these days. And frankly, during these belt-tightening times, the high prices of California wines have turned many drinkers off.

A pair of news articles published today on the state of Bay Area restaurant wine lists are getting much attention because they bring such trends to light. Jon Bonné, wine editor of the San Francisco Chronicle, was brave enough to write this enlightening piece titled "Do our wine lists ignore California?". I say "brave" because writing for a paper in close proximity to the very wineries whose toes he steps on can elicit a palpable wrath to him and his employer.

The other news article, or series of reports more accurately, was penned by Eric Asimov, the wine columnist of the New York Times, whom I regard as the most enlightened American wine writer today. (Okay, I'm biased; like Asimov, I love orange wines and Jura wines and wines made by Lopez de Heredia and Movia, as I do any great Burgundy). His column today "Eat Local; Drink European", and twin blogs posted this week, "Ripeness Isn't All" and "Favorite Wine Lists in the San Francisco Bay Area" talk about the hottest Bay Area restaurants and wine bars that are packed with customers every night, despite the economic slowdown, and with every table graced by a bottle or a glass or two of every sort of wine, but seldom California.

Despite such dismal trends there are many California wine producers whose souls are intact and have never sold them to the highest scorers. Foremost is Edmunds St. John. By dint of recklessness, relentless experimentations, and not bowing to wine critics, Edmunds St. John has achieved what has escaped most California wineries: consistently producing wines with soul, balance, and expression of the California terroirs.

Steve Edmunds, owner and winemaker of Edmunds St. John, makes the most pleasurable California wines to drink. His 2007 Bone-Jolly Gamay Noir, for example, doesn't take a backseat to the outstanding Morgons of Marcel Lapierre and Jean-Paul Thevenet, both imported by his close friend and fellow Berkeley native, Kermit Lynch.

If more California wine producers would take their cue from producers like Edmunds St. John, then I would easily expect Bay Area wine lists to be filled with their graceful wines.

Wednesday, July 23, 2008

Chateau Montelena Sold to Cos: Would this Trigger More Euro Buying in CA?

Montelena.jpg

The biggest news in winedom that broke out yesterday is the sale of the venerable Napa winery, Chateau Montelena, to top Bordeaux classed-growth estate Château Cos d’Estournel.

There is no announced sum for the transaction, but the credible rumor is $110 million—a whopping price even discounting the weak dollar versus the euro. In this regard, Chateau Montelena has pulled off its biggest shocker since winning the Judgment of Paris in 1976. But more significantly, I think, it is an indication that top Napa wine estates could have values almost as high, if not as high, as some of the great chateaux in Bordeaux.

Would this sale prompt more European winery acquisitions in Napa or in other points in California for that matter? Taken together with other high-profile European takeovers of US companies of late, there could be a rush of buying while the dollar remains cheap for the euro. Prime candidates could be long-established wineries with proven vineyards but in need of cash to refurbish aging facilities and vineyards.

But what’s in it for European buyers like Cos? Simply put, it is the still untapped potential in California wines, both in terms of quality and marketing. Thirty years after Judgment in Paris, the French are finally acknowledging that California wines are worthy to stand next to French wines, provided, of course, they are in charge.

Wednesday, June 11, 2008

An Eclectic Mix of Wines

After much delay, warmer weather finally arrived in the Bay Area, hence the outdoor patio was the perfect setting for barbecued steaks and this eclectic mix of wines at Steve's last Saturday June 8th.

1983 Pauillac Premier Cru, Château Mouton-Rothschild: dark, fleshy, soft, good fruity and cedary perfume. Not intense but fresh and meaty, earthy and somewhat spicy dark berry fruits with soft tannins. A pleasure to drink and I would not hesitate to declare it very open for business at this point. 4 Stars

1994 Dunn Cabernet Sauvignon, Howell Mountain: High-toned red currant, even a bit of cranberry fruits with spice. Fresh fruity, herbal nose. Nice elegance. Very good balance. Expanse in the mouth with a good, long finish. Drinking very nicely and will age further. 3 Stars

1998 St-Emilion, Peby-Faugeres : Very darkly colored. Earthy jammy fruit scents. Densely, fleshy textured blackberry and blueberry fruits with cedar, earth tones. Rich, lively tannins. Powerful, mouthfilling palate. Good finish, though not extraordinary in length. Opulent, but harmonious overall. This is evolving very well. Can’t wait for another ten years. 3 Stars

1985 Ridge Zinfandel Geyserville, Sonoma
: Perfumy currant, herbal Cabernet nose. Good savory red berry fruits and bright herbal notes with good concentration and acid balance. Still very fresh with very soft tannins. Good length on the finish. The surprise wine of the night. 3 Stars

2004 Sea Smoke Pinot Noir “Southing”, Santa Rita Hills (Santa Barbara)
: This nearly escaped being opened, but some of us insisted we needed to have a dessert wine. Candied cherries and caramel flavors accented by oak vanilla. Juicy, softly textured intense forward ripe flavors, with good brightness. Warm on the palate and a touch alcoholic. Pleasurable and simple. 2 Stars


Friday, May 16, 2008

Robert Mondavi Passes Away

Iconic Napa wine producer, pioneer of modern California wineries, unrivaled promoter of California wines, and staunch champion of European-style Napa winemaking, Robert Mondavi, passed away today at age 94.

I regard Mr. Mondavi as one of my wine heroes early on. He made wines with constent quality and class. For a novice drinker of California wines back in the early 1980s, I found his wines to be always reliable, particularly the Cabernet Sauvignon and the Fume Blanc.

Mondavi's absence in the California wine scene for many years now has left a void that has never been filled as he was the one powerful figure to openly defend the classic California wine style of the 1970s and 1980s against heavy criticism by wine critics Robert Parker and James Laube who favored overripe wines with gobs of fruit and alcohol.

I will be posting obituaries as they pour in. Jancis Robinson of Purple Pages. The San Francisco Chronicle. The Los Angeles Times. Eric Asimov's The Pour. The New York Times obituary by Frank J. Prial. Decanter news. Decanter obituary by Linda Murphy. Eric Asimov of The New York Times on Mondavi's Legacy. Eric Asimov on Remi Krug on Mondavi.



Monday, April 14, 2008

BNO: One Man’s California Retrospective

The K-man is disgusted with California wines post-‘80s, yet he has the best collection of California wines that I know of. In fact, Kevin is that increasingly rare breed of wine collector who has bought wine based on his taste not on scores.

Kevin has collected wine for decades, not overnight like some of these young gazillionaires who buy out Christie’s and John Kapon—a caveman with a huge trust fund can do that. His “old bitch cellar” as his friends have nicknamed it is amazing, not so much for sheer size, but for its discriminating personal selections. Kevin can pull out First Growths from all great vintages of the past half century, that's easy enough to do. What really amazes me is that he also collected other classed growths from off-vintages that have turned out to be overlooked gems—we refer to them endearingly as “glasscoaters” in our BNO (boys’ night out) group. This kind of collecting is brilliant connoisseurship.

And it’s not only the major wine regions of Bordeaux, Burgundy, Port, and Barolo that Kevin has pursued. He has old vintages of Mas de Daumas Gassac and Domaine Tempier. Score-monkeys today wouldn’t even know who those producers are.

So one fine day in March I received a surprise email notice from Kevin about the next BNO. It was something like a call to arms—“I’m mad as hell and I’m not gonna take it anymore!”

I don’t know if it was the Ides of March or he just got tired of reading James Laube’s tasting notes, but he issued an invite, which read more like a challenge, that the next BNO will be at his place and that the theme is pre-1987 California Cabernet Sauvignon. No one should even think of bringing any overripe, tannin-challenged Napa Cabernet from the 1990s or 2000s. In fact, Kevin had all the wines lined up in his head and they’re all coming from his cellar. It will be the first one-man retrospective for the BNO. I said to myself, bring it on!


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Good dolmas like these with bits of lamb inside are the best pairing with aged California Cabernets...


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And nothing like char-grilled steak with old Cabernets


The evening started with a magnum of Prosecco, A.G. Ferrari, very cool; it’s the perfect aperitif in the warm afternoon. I will not score this one, suffice it to say that it is very good and it surprised me that it came from Ferrari Foods.

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Steve brought dolmas and patés which were terrific with the old Cabernets to follow.

The first flight consisted of a contrasting pair of perfectly cellared wines. Louis Martini’s1970 California Mountain Cabernet Sauvignon “Special Selection” from Ben’s cellar, the only wine in the evening not from the K-man, was amazing for its freshness and youth. Bright ruby red with a slight bricking around the rim, it gave a perfumy leafy and Bordeaux vegetal bouquet. Many agreed it is still “unyielding” and “tight”; after all, Ben’s cellar is like the arctic, wines age there at a glacial pace. Ben explained that Louis Martini aged 50% of the wine in wood and the other 50% in stainless steel and then afterwards blended the two together for the final wine. Martini was the first winemaker in Napa to perform this élevage. I thought it was wonderfully balanced (“12 ½ % Alcohol” read the label) opening up with delicious plum and cassis flavors as well as licorice and tea. Well-concentrated and elegant, I would like to sit down with this wine again when it has been sufficiently decanted as Ben recommends. 3+? (90+?).

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The other wine in the flight needed no long decanting as it was jumping out of the gates. 1968 Napa Valley Cabernet Sauvignon “Private Reserve Georges de la Tour”, Beaulieu Vineyard made by the greatest California winemaker, André Tchelitscheff, was darker than the Martini and seduced with intoxicating aromatics of blackberry, tea leaf, mint and tobacco. Opulent, velvety, and utterly juicy, this powerful wine swept me off my feet. 4 (95).

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The next flight was epic. It was a shootout of Iliad proportions. Joe Heitz’s 1974 Napa Valley Cabernet Sauvigon “Martha’s Vineyard Anniversary Vintage” was the most opulent version of this wine that I’ve tasted. Its famed eucalyptus signature was almost masked by a density of fruit that grew on the palate, tasting ripe and sweet and holding sway for a long time before releasing a dollop of tea leaf and eucalyptus and secondary flavors of licorice, oreo cookies, and gravel. This brought the house down. I’ve always thought that the greatness of the ’74 Heitz Martha’s was in its power and longevity, but it lacked sophistication. Yet, this bottle showed surprising expressiveness. 5 (100)

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A worthy challenger to the Heitz was the 1974 Napa Mountain Cabernet Sauvignon, Mayacamas Vineyards. Initially tight, with some coaxing the wine opened up to a decadent range of aromas that were earthy and floral. Violets were redolent. What a contrast to valley floor Cabernets! A powerful Cabernet that glided on the palate and spoke in low, sweet tones of lush blackberries and gentle, spicy riffs of tobacco and tea. 4 (95)

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The first bottle of 1974 Cabernet Sauvignon “Reserve” Robert Mondavi was unfortunately tainted. My heart sank. I was dying to drink this wine again as it was nearly ten years ago the last time I had it and it surprised me with its remarkable depth. Kevin casually asked, “Should I open another bottle?” No one replied. I may never get another chance and I sat next to Kevin, so I boldly told him, yes, please, let’s open another bottle. So a second bottle of this ’74 Mondavi Reserve was opened. After rinsing my glass I helped myself to a good pour of this fresh bottle. I smiled. Oh yes, this was it, all that I hoped for. This was a complete wine. The aromatics were profound, classic Cabernet currants with underlying earth and menthol, rust and leather. Gorgeous ripe flavors brimming with blackberry fruit, iron, eucalyptus, and dark chocolate. Generous but moved with grace and finished with sweet, dusty tannins. I’m in awe of this bottle. It was half-jokingly suggested that we open another bottle of this and the Heitz Martha’s and go mano-a-mano. Wouldn’t that be something? 5 (100)

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Almost everything seemed anticlimactic after those monumental 1974s. Maybe the ‘74s should have been placed last. The 1975 Sterling Reserve Cabernet Sauvignon, while possessing some savory fruit, tasted harsh, a bit tart, and somewhat medicinal. 2 (85). The 1975 Joseph Phelps Insignia made of 86% Merlot was more interesting for its ripe character. Matt and Steve agreed that it was like Pebble on the 18th hole by the fire, cozy and warm, chocolates and cream. A typical Insignia—simple, comfort wine that lavishes good fruit. 3 (90)

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But it’s not over until it’s over. The next two wines that came up rival the ‘74s in every way. The 1979 “Volcanic Hill” Cabernet Sauvignon, Diamond Creek is right up my alley delivering mature, classic Napa Cabernet flavors in heaping portions: ripe black currants, mint, tea leaf, and earthy spice. Sweet and elegant, very well poised, very cool. 4 (95).

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What followed next is a wine that blew me away and, perhaps, another reason for drinking the ‘74s last. The 1971 Cabernet Sauvignon “Reserve”, Robert Mondavi is a most singular wine and in many ways an atypical Napa wine because the style is Médoc-like. Unfiltered and the first vintage for this “reserve” bottling, it is a single-vineyard wine and a true blended wine, with a high proportion of Cabernet Franc, as much as 30% or more it is said, and aged in 100% French oak. The aromas soared magnificently—a clear, precise, penetrating, yet indescribable scent of heavenly euphoria. I guarantee, you won't smell anything like this from any California wine. Eucalyptus, sweet cassis, earth, spices, violets, Havana leaf, and lots of cola. The powerful bouquet never faded, but seemed to even increase in intensity as the wine opened up. On the palate it was balanced and well-proportioned, and content to allow the bouquet to lead. Ripe, rich in tannins, and virtually seamless. 5 (100)

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Finally, the 1979 Cabernet Sauvignon “Eisele Vineyard”, Joseph Phelps Vineyards to wrap up the ’79 flight. Simple and uncomplicated, it mesmerized with its rich, soft, plump black and cherry fruit flavors that remain bright and fresh as the wine approached its fourth decade. 3 (90).

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The 1979 vintage is a wonderful finalé for the greatest decade in California Cabernets. What a glorious evening! My greatest California wine night. How awesome for all the wines to taste fresh without any signs of fading soon: proof not only of the wines’ longevity, but also of their impeccable provenance. An inspired tasting courtesy of a most inspiring collector. Thank you, Kevin.


Friday, November 16, 2007

BNO California Cabernet Sauvignon: the Definitive Collector’s Edition

No wine has to constantly prove its worth more than California Cabernet Sauvignon. Since its production became firmly established in California in the 1960s, Cabernet Sauvignon has been the most collected California wine, yet its quality, value, and place among the world’s greatest wines are repeatedly questioned by wine enthusiasts.

Why there is so much doubt about California Cabernet Sauvignon, despite the hype, seems inexplicable…. or maybe not.

Our BNO (boys’ night out) wine group never gets tired of summoning California Cabernet Sauvignons to the table. We have done so an inordinate number of times, almost at a drop of a hat, and many of the California Cabs we’d drunk are so-called “cults” and “legends”. But in our most recent get-together we were determined to put the age-old question to rest: what is the big deal with California Cabernet Sauvignons?

Before I give you the blow-by-blow I must say that I’m in awe with the generosity of everyone in our group. We depleted our cellars with some of our prized bottles. Many of the wines we opened are scarce, and even the wineries may no longer possess some of the vintages. But, as usual with our BNO, in the true spirit of Bacchus, we never take ourselves too seriously; it’s all about drinking and having fun. We passed the bottles around and sipped the wines in between animated conversation and serious eating. Nothing too studious or clinical. We do try to rate each of the wines, but this is arbitrary as the consensus score could slide up or down depending on how a wine changes over the course of the evening. And to be honest, it’s hard to get everyone to focus on scoring, especially once you get in the conviviality. Heck, who wants to bother with something as boring as scoring a wine anyway?

We did invite a wine journalist to join us, Jon Bonné, who is Wine Editor of the San Francisco Chronicle. We thought this BNO was special enough that we won’t embarrass ourselves by inviting a wine media representative with gravitas. I’m sure Jon gets a ton of invites to come to tastings, so we felt elated he chose to come to ours. For Jon the get-together was more work than play, as he was quite stoic the whole night, clearly on a mission to document each of the wines opened as well as all the goings-on. We queried him frequently, curious to get his professional opinion on the wines. If he does report this event someday in the Chron’s wine pages, I hope to God he would leave out Matt’s reference to some of the wines as coming from an “old bitch’s cellar”!

The night we held this wine dinner was perfect—it was one of those rare summer nights in the Bay Area when the air was still and it was warm enough to dine al fresco out in the patio. And for once no one in the group had to do any cooking because we had French Master Chef Patrick Farjas, doing the catering and joining us for the tasting. I mean, how cool is that?

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Patrick prepared a mouthwatering array of appetizers and courses to pair with the Cabernets. Hands down the best food to pair with these California Cabernets was the "Greek 'Dolmales', grape leaves, rice and ground lamb". No less than an authority on this traditional grapeleaf dish, Kevin, commented: "Patrick's food--my God--the grapeleaves were stunning, the exceptionally dark, firm green leaves, the mostly lamb Greek/Armenian style, the white wine/lemon prep I have never had anything quite like it before and frankly, the most enjoyable I have ever had."

Waiting for the other guys to arrive from their carpooling expedition, Steve and I cracked the 1982 Napa Valley Cabernet Sauvignon “Georges de Latour Private Reserve”, Beaulieu Vineyard. The bottle fill was neck-high, the cork was like new, and the color showed no signs of fading. Yet the nose was oxidative and the fruit was, too. We waited for signs of recovery. The wine did get somewhat fresher (or was it just my imagination?), with the cedary, cassis flavors getting brighter, but the oxidation was strong. What a disappointment. Something was puzzling and very wrong with this bottle.

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By this time the rest of the guys finally showed up. We stood all the wines on a dining table to get consensus on the flights. The first flight consisted of the oldies, mainly 1970s, though it started with the supremely elegant, well-preserved 1967 Napa Valley Cabernet Sauvignon “Martha’s Vineyard”, Heitz Cellars. “Surprisingly rich” was the general comment. Still deeply colored, very cassis flavored, and infused with the eucalyptus/mint character that Martha’s is known for. The wine was efficiently pure, without any excess fat or density. Perfectly proportioned and focused. This is a wine of great finesse. I would keep recalling my experience of this wine all night, and even days later it never ceased to haunt me. 3-3 ½ puffs.

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The next two wines did not leave me with the same indelible memory as the ’67 Martha’s yet they towered. The 1974 California Cabernet Sauvignon “Monte Bello”, Ridge is a tour de force, a wine-of-the-night on any scoring card. Dark and very rich, its flavors are well-concentrated, with deep cassis fruit laced with mint, black pepper, and dried spices. Possessing a dense mid-palate with long, smooth tannins that firmed up the opulent flavors, this wine became more powerful and seemingly more youthful as it opened up. On this night, it seemed like this Monte Bello could last forever. Wow! 3 ½ - 4 puffs.

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A truly lovely wine was the 1977 Napa Valley Cabernet Sauvignon, Mayacamas Vineyards. Mayacamas Cabernets age very slowly, so it’s rare to actually drink one that is fully ready. Velvety tannins accompanied the sweet, ripe blackberry fruit with slight mint and earthy flavors. The wine expanded deliciously on the mid-palate offering excellent depth of flavors without a hint of harshness. Though lacking the class and precision of the ’67 Heitz Martha’s, its charm is its mountain character that offers uncomplicated pleasure. 3 ½ puffs.

We were back to Heitz with the 1970 Napa Valley Cabernet Sauvingon “Martha’s Vineyard”, Heitz Cellars. The familiar eucalyptus/mint flavor surfaced once again, but this one was almost dried out. Though it offered some of the attractive, complex flavors of its terroir, it lacked sumptuousness, hence it did not take long for the fruit to “drop fast” after some minutes of being poured in the glass. A “wine of passion” said one. That is a good way to put it. Some of us relished its fleeting beauty. 2 ½ - 3 ½ puffs.

So on we go to the 1980s. Unfortunately, the 1984 Napa Valley Red “Christian Moueix”, Dominus Estate suffered a worse fate. Though attractive berry flavors opened up soon after the wine was poured, these faded fast. Oxidation set in after just several minutes. 2 ½ puffs.

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And this flight goes from bad to worse. The 1985 Napa Valley Red “Insignia”, Joseph Phelps Vineyards was flawed mainly with volatile acidity. There was just no life here. Flabby, grapey, and flat. 2 ¾ puffs (why even bother?)

Finally, the last of the 1980s flight, the 1986 Napa Valley Cabernet Sauvignon, Chateau Montelena. Smelling of rusty nails, “grandma’s coin purse” said Matt, this was oxidizing fast. 2 ½ puffs.

Ah, a relief to be finally be done with those disappointing 1980s… but wait a minute! The next flight, the decade of the 1990s, led off with another flawed wine, a 1992 California Red “Monte Bello”, Ridge Vineyards. This is one of the supposedly great Monte Bellos and the bottle we had was impeccably cellared, yet it showed signs oxidation on the nose as well as volatile acidity. The oxidation got stronger and we just gave up on it.

California winemaking took a marked change in the 1990s favoring riper, plusher, and bigger wines. As a result, the top Cabernet players had changed. Old guards like Heitz, BV, Mayacamas, and Ridge started to be eclipsed by newer labels such as Araujo, Dalla Valle, Abreu, and Peter Michael. These boutique wineries differ not just in their style of wines but also in their tiny production quantities and audaciously high prices. They shunned traditional distribution channels and went direct to consumers, transforming the “mailing list” into the most powerful marketing tool of the California wine trade.

Spottswoode seems to straddle the old and new styles of California Cabernet. The 1991 Napa Valley Cabernet Sauvignon, Spottswoode offered rich, concentrated layers of ripe cassis, raspberry, and aromatic herbs. Bright and elegantly structured, with a modest alcohol level of 12.5%, this packs terrific energy. Certainly, an outstanding wine that is sure to provide pleasure for many more years. 3 puffs. We didn’t finish the bottle and Steve drank what’s left two days later and his notes echo what I meant about this wine straddling the old and new styles: “Soft, lush full fruits. Not overripe or raisin, more like the fruits is a dark red fruit tart, without the sugar. Most of the tannins and acid were either gone or integrated, but smooth, medium rich and a very pleasant quaff—many of the qualities of the 97 Peter Michael (which I love) but on mute, rather than full volume.”

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A most remarkable 1990s Cabernet and one that I would be interested in how it evolves further is the 1994 Napa Valley Cabernet Sauvignon “Eisele Vineyard”, Araujo. This wine’s combination of richness and polish is breathtaking, with a depth of flavor that is expressive and individual. The nose showed cassis and gravel. Very ripe, rich fruit flavors with good delineation and elegance. This somewhat reminded me of a young Haut Brion.

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The 1997 Napa Red “Maya”, Dalla Valle was drenched in luxury. It recalled plush leather, spicy Havana cigar, and imperial tea. What sheer opulence in its dense, lush, spicy blackberry flavors! Its richness was like dark chocolate melting in the mouth. The finish is very long with an interesting minerality. Perhaps, the most sensual wine of the evening. How would aging this for another ten years be like?

In contrast, the 1997 Napa Valley Cabernet Sauvignon “Madrona Ranch”, Abreu was over-the-top blockbuster. Port-like, jammy, very dense, and overly concentrated. This was hard to drink. However, two days later Steve finished the remnants and had this to say: “WOW!!!!!!! Deep bouquet of leather (new car porsche or ferrari, as opposed to old bomber jacket) violets, lavender, chocolate (yes chocolate) and dark red pitted fruits. Incredible mouth experience, subtle and elegant on the front palate, when it hits the mid palate, it blossoms (like a peacock tail) into a round rich opulent explosion of fruit, grip, sandalwood, and graphite. Incredibly balanced and layered, with a finish that lingers for 45 seconds or more. Unbelievable!!!!!”

The 1997 California (Knights Valley) “Les Pavots”, Peter Michael Winery (79% Cabernet Sauvignon, 12% Merlot, 9% Cabernet Franc) that Steve referred to above delivered unmitigated, gorgeous, solid, opulent blackberry/spice/chocolate flavors. This is why we love California Cabs! Not complex but polished and, most of all, utterly sexy. This went down “like butter”.

I was keen about spotlighting Stag's Leap Wine Cellars in our dinner. This historic winery’s distinctive terroir in Stags Leap of Napa Valley achieves its best expression in the winery’s Cask 23 bottling. The last two bottles we opened were two of the most famous vintages of Cask 23. Despite being impressed by the famous cult wines of the 1990s, the awesome 1978 Napa Valley Cabernet Sauvignon “Stags Leap Vineyard Cask 23”, Stag’s Leap Wine Cellars was in a league of its own. A monumental wine that is well evolved, yet showed no signs of fading; offering minty cassis in the nose, with hints of gravel and underbrush. The palate exploded with layers of sweet blackberries and unfolded with game and roasted meat. Still wrapped in youthful tannins, this muscular Cabernet powered on without showing any weakness even after several minutes in the glass—relaxed and fluid in the gentle style of Stags Leap Cabernets. What a profound Cabernet experience! 4 puffs.

The 1985 Napa Valley Red “Cask 23”, Stag’s Leap Wine Cellars (by this time the wine has become so famous, even iconic, that the varietal name was fashionably dropped and Warren Winiarski’s signature now appeared on the label) was a far different wine from the 1978 as it didn’t have the grandeur of the latter and was a more demanding wine to appreciate. After an initial explosion of black fruits, the freshness was gone and the flavors were dominated by a “funky” and “botanical” character. A controversial wine and I wished we had more time to ponder it.

So was this the definitive Cabernet night? I think all these wines just deepened our thirst and curiosity for California Cabernets. I feel that the late 1960s and the decade of the 1970s represented a time of important discovery and evolution in California Cabernet Sauvignon winemaking. The fathers of modern California winemaking had their most significant contribution during this era. Influenced by Frank Schoonmaker and André Tchelistcheff, Robert Mondavi, Warren Winiarski, Joseph Heitz, Mike Grgich, and Paul Draper set out to find the best terroir in California for planting the most noble European grape varietals, particularly Cabernet Sauvignon. Their efforts paid off as they discovered some of the greatest vineyard sites for California Cabernet Sauvignon, including: To-Kalon, Monte Bello, Martha’s Vineyard, and Stag’s Leap Vineyard (S.L.V.).

But in 1976 the celebrated “Judgment of Paris” changed everything. This event is both a blessing and a curse. It accelerated consumer acceptance and eventually led to the huge market success of California Cabernets, but it also established a dependency on hype and marketing by California wine producers during the critically formative time in California wine development. Producers shifted their attention more towards selling and marketing and they were rewarded by increased demand and escalating prices. Consequently, the wine media, led by wine critics, began to play the most important role in promoting California wines.

As the market power of the wine media grew, the critics became more influential in determining the style and quality of the wines and their tastes started to replace the expertise of the producers themselves as the basis for consumer wine education. One can say this is akin to replacing the actual quarterback with the armchair quarterback!

To a developing and immature consumer wine market the impact of this trend was deadly. A newbie passionate about wine would rather peruse reviews and scores than listen to what a Joe Heitz or a Paul Draper had to say, literally and figuratively, through the wines they made. Thus, the discoveries and development instigated by pioneering California winemakers during the 1960s and 1970s were cut short as they now have to please the marketplace first and foremost. Imagine if Bordeaux or Burgundy were subjected to the same trend centuries ago during their regions’ early years in the 18th and 19th centuries. Would they have had a chance to develop the greatness in their wines as we know it today?

The proof as they say is in the glass, the wine glass that is. Clearly in this tasting the wines made during the 1980s, post-“Judgment of Paris”, underwent a marked change in quality. They were darkly colored and looked more concentrated, but after decades of aging faded fast and were oxidizing quickly. Bottom line, the 1980s Cabernets were easily beaten up by the Cabernets from the 1960s and 1970s, which are still going strong.

What about the 1990s? The 1990s Cabernets show more commonalities with the 1980s Cabernets than with the 1960s/1970s. But the volume is turned up even more, meaning these wines are bigger, riper, and sweeter in their youth. The main difference, I think, is that whereas the 1980s Cabernets are big and concentrated, they also exhibited harder tannins when they were young compared to these 1990s Cabernets. How do I know that? Fortunately, I still kept some notes of 1980s Cabernets I tasted soon after their release and again a few years later.

California winemaking changed further in the 1990s. The biggest change was hang time. Cabernet grapes were harvested much later and much riper than before to concentrate the flavor, raise the sugar, reduce acidity, and soften the tannins. In the winery or cellar, efforts were made to even heighten the effects of these changes. The end result is that winemaking had the effect of almost replacing the aging or cellaring period of a wine!

Since the 1990s California Cabernet winemakers hand it to you on a platter, that’s why they get the big bucks. Instead of aging your Cabernet 15-20 years or more, you can now enjoy them on release or wait just a few years. And boy, these 1990s Cabernets are much more pleasant to drink young than those of the 1980s.

Yet, the jury is still out on how these 1990s Cabernets would fare over the long term, say after 20 years. But why wait? I remember a rare interview of Helen Turley, the high priestess of 1990s California winemaking, wherein she refers to aged wine as “mummified”. Joe Heitz must be turning in his grave.